FIRST DAY

First International Conference Translating Music #1

The Idea of a Musical Work and Its Transformations

26 marca 2026, czwartek, godz. 9.00-18.30
Sala 12, Sala 31, Pałac Akademii Muzycznej w Łodzi, ul. Gdańska 32

 
SCHEDULE

• 9.00-9.30 AM | Main Hall of the Palace | REGISTRATION
• 9.30 AM | Room 12 | OPENING OF THE CONFERENCE

• simultaneous sessions

  10.00-11.30 AM | Room 12 | SESSION 1. THEORIES OF MUSICAL TRANSLATION
  Chairperson: Ryszard Daniel Golianek
  • Małgorzata Grajter
    Translating Music: Applying Translation Theories to the Study on a Musical Work
  • Julian Paprocki
    Traduttore – Traditore. The Negative Phenomenology of Musical Transcriptions in the Light of the Aesthetics of Omission
  • Ryszard Lubieniecki
    Written Compositions as Musical Diagrams: Some Reflections on the Ontology of Medieval Music Notation
  10.00-11.30 AM | Room 31 | SESSION 2. MULTIVERSALITY
  Chairperson: Ewa Kowalska-Zając
  • Karolina Kolinek-Siechowicz
    Transhistorical and Intercultural Translations of J.S. Bach’s St. Matthew Passion. The History of Becoming a Work of Music in the Imaginary Museum
  • Gergely Balázs (online)
    Comparison of Three Versions of Le Crucifix by Franz Liszt
  • Anna Wójcikowska
    Open Work, Open Performance: Renditions of Earle Brown’s December 1952
• 11.30 AM – 12.00 PM | Room 11 | COFFEE BREAK

• simultaneous sessions

  12.00-1.30 PM | Room 12 | SESSION 3. DIGITAL THEORIES AND MUSIC
  Chairperson: Carlos Villar-Taboada
  • Júlia Durand
    Composed to Be Recomposed: Library Music and its Many Arrangers
  • Gordon E. Marsh
    Navigating the Work’s Time-Space as Enacted in Performance: Phenomenological Interpretation and Statistical Analysis of Local Transformation and Global Form in Two Works by Chopin
  • Przemysław Michalak
    From Separation to Creation: Stem Separation Technologies as a Source of Inspiration
  12.00-1.30 PM | Room 31 | SESSION 4. CONTRAFACTA
  Chairperson: Mark Hutchinson
  • Ryszard Daniel Golianek
    From the Profane to the Sacred. Mozart’s Opera Arias in New Settings with Religious Texts
  • Ryan Malone
    One Score, Multiple Meanings: Tracing Performance Histories of Eighteenth-Century Moravian Anthems
  • Mine Güven / Visam Mansur
    When Songs Sway Across Time and Space: The Case of Lammā Badā Yatathanna
• 1.30-3.00 PM | Room 11 | LUNCH
• 3.00-4.00 PM | Room 12 | KEYNOTE LECTURE 1
  Chairperson: Małgorzata Grajter
  • Prof. Jerzy Jarniewicz
    The Poetry’s Debt to Music
• 4.00-4.30 PM | Room 11 | COFFEE BREAK

• simultaneous sessions

  4.30-6.30 PM | Room 12 | SESSION 5. STYLIZATIONS
  Chairperson: Marta Szoka
  • Julián Croatto
    Musical Translation in Uruguayan Guitar Music
  • Jonas Wolf
    The Art of Baroquification. Turning Pop Music into Baroque
  • Kirill Smolkin
    From Classical into Popular: Tchaikovsky Reinterpretations in Popular Music and Jazz
  • Carlos Villar-Taboada
    ‘Rhetoric of Strangeness’ and ‘Russian-Doll Homage’ as Translational Devices for Music
  4.30-6.30 PM | Room 31 | SESSION 6. PALIMPSEST
  Chairperson: Gordon Marsh
  • Stephan Lewandowski
    Way Too Chopinesque? Stefano Golinelliʼs (1818−1891) Sets of Preludes Opp. 23 and 69
  • Mark Hutchinson
    Talking with Statues: Memory, History and Language in Hans Zender’s 33 Veränderungen über 33 Veränderungen
  • Antonina Wiatr
    Between Arrangement and Artistic Expression – Intertextual Inquiries into Max Richter’s The Four Seasons Recomposed
  • Adrian Alvarez Gálvez
    Reimagining Tradition in a Contemporary Key: Intersemiotic Processes in Cantares del güelu (2014)
• 7.00 PM | Ballroom | CONCERT Ars Cantus Instrumentalis

  CONCERT PROGRAM